Shelley Andagan

COO, 3DPaint/FX

​Shelley Andagan Chief Operating Officer & Public Speaker

As COO of 3DPaint/FX, Shelley Andagan directs and manages the company’s worldwide workflow processes and personnel while also coordinating strategic planning and brand alliances. She works with clients to streamline each production from development to delivery. Translating information derived from her direct-to-client interaction, Shelley collaborates with the 3DP team to find the most innovative and expedient solutions possible given production parameters which maintaining high quality standards that are expected in Hollywood. Proud of their teamwork and opportunity to produce groundbreaking content across genres, Shelley developed and executes the company’s social media strategy while also supporting inclusion of their work in conferences, festivals, and awards competitions across the globe.

While at 3DPaint/FX, Shelley managed the completion of nearly 30 VR projects. These 360 films range from scripted to documentary-style shoots with both monoscopic and stereoscopic deliveries at various levels of VFX integration. She also oversaw stereoscopic conversion projects for the studio’s VR and traditional film clients. Some of Shelley’s 360 film credits which derive from her work alongside VR houses Within / Here Be Dragons and Milk VR include:
•The New York Times Magazine’s “Great Performers” 9-film noir collection
•National Geographic’s “The Protectors” film
•USA Network’s “Mr. Robot” VR Experience
•General Electric’s 5-plus-episode series, “The Possible”
•Samsung VR’s “The Raid” Prequel to Fox’s “24: Legacy”
•United Nations films “The Ground Beneath Her” and “My Mother’s Wing”
•SHOAH Foundation’s “The Last Goodbye” interactive experience

Drawing from her experiences, Shelley shares her expertise as a guest speaker on the national and regional level at professional conferences and events. She is also a guest lecturer, educating media professionals of the future. Her most notable speaking engagements were at the National Association of Broadcasters conference in Las Vegas, Digital Hollywood, and the Los Angeles Post Production Group. Shelley’s most recent contributions to higher education were at Gnomon School of Visual Effects and Emerson – LA.

Prior to this role, Shelley spent over a decade in feature film & television development, production and post-production with major motion picture studios and independent producers alike. Her “flattie” credits include projects such as:
•Disney’s “Jungle Book”
•New Line Cinema’s “San Andreas”
•Marvel’s “Iron Man 3” and “The Runaways”
•20th Century Fox Television’s “Prison Break”
•”World Trade Center,” “Becker” and “Star Trek: Enterprise” at Paramount Pictures

Shelley holds a Bachelor of Science degree in Television, Radio & Film from the S.I. Newhouse School of Public Communications at Syracuse University.

My Sessions

Making Your 360 Film VR Project a Success

Room J

A discussion outlining how to tackle 360 filmmaking to efficiently and effectively carry out your vision from development to distribution. We will cover the differences between new tech and traditional media as well as addressing the key similarities that are often overlooked to the detriment of the project.

Design Track